I plan to argue that the technology is not what caused the disbelief of documentary photography rather an increased skepticism resulting from a skewed understanding of the root of a photographs "reality"
I wish to argue that while technological advancements have been credited with stripping photos of their realism the true culprits behind photography forgery are elements which far out-date these said advancements , and the artistic horizons offered by these advancements far out-weigh any possible draw back
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